Paul McCartney and Rick Rubin on The Beatles, Wings in new Hulu doc



Like the bass drum and crackling guitar riff of “Sgt. Pepper’s Lonely Hearts Club Band ”bursts into the speakers, says Paul McCartney from his seat, as excited as the rest of us to revel in its power, though he’s heard it more often than anyone else. what a human on the planet.

That’s the beauty of “McCartney 3, 2, 1”, the six episodes Hulu Documentary (now streaming). With super-producer Rick Rubin Sharing the room, the series delves deep into the massive catalog of solo work by The Beatles, Wings and McCartney as the duo discuss and dissect numerous songs.

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The joy McCartney feels through music is as palpable and contagious as it was when he was a wide-eyed, mop-capped boy in Liverpool, UK. And even now, at 79, the music icon is eternally young as he walks in dark jeans and a long-sleeved work shirt over a white T-shirt, his thinned hair retaining the flexibility of his ears. puppy.

The documentary Рin 30 minutes in black and white Рwas shot in two sessions at a former Methodist shrine on Long Island, New York. To immerse McCartney in his natural habitat, the studio was built with a vintage analog mixing console and era-specific equipment, including a left-handed H̦fner bass and a Fender Rhodes electric piano.

Watch McCartney lead an imaginary band to the sound of music and signal chords, harmony overdubs or a guitar technique employed by John Lennon or George Harrison provides a rare intimacy that is lacking in other attempts to quantify its vast musical history.

“It’s like we’re professors in a lab, just discovering all these little things,” McCartney told Rubin of the Beatles’ most experimental work.

Rubin, playing the part of us all, sits at McCartney’s feet or beside him at the console, listening to the stories of the game master. Rubin speaks his language, but he’s also quite wise – and enamored of the opportunity – especially to listen, smile and exclaim.

Paul McCartney and Rick Rubin in the Hulu documentary series, "McCartney 3, 2.1."

Although this is a series designed for devotees and those who revel in the most microscopic details, it was a piccolo trombone on “Penny Lane”? – there are still plenty of intriguing stories to hold the interest of casual fans.

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Some highlights:

Runaway Demos: The Nigerian Flight of the Wings

While filming Wings’ “Band on the Run” in Nigeria, McCartney and his wife Linda jumped into a car they believed had been sent to pick them up. Instead, they were stolen at gunpoint, and the album’s tape demos were stolen. “So now we had to do the album without the demo recordings,” McCartney said. “And so, again, we just thought, okay, let’s do it. We became determined to make it a good record.

Unconventional inspiration from Roy Orbison, Little Richard

While in Nigeria, McCartney visited Fela Kuti at the African Shrine, his club outside Lagos. “The music was so amazing that I cried. Hearing this was one of the greatest musical moments of my life, ”he recalls. McCartney also reminded viewers of the influence of Little Richard (“These are the people we loved and they loved us”) and Roy Orbison, whom the Beatles supported on tour in their early years.

In this series of six episodes "McCartney 3, 2, 1" on Hulu, Beatles legend and Rick Rubin explore music and creativity in a unique and revealing way.

The joy of Ringo Starr’s ‘Ringo-ism’

Drummer Ringo Starr’s The habit of twisting sentences and words not only gave the Beatles “A Hard Day’s Night”, but the title of “Tomorrow Never Knows”. “He had an ability to say something a little wrong, but it sounded right,” McCartney recalls with a chuckle. McCartney also gives credit to Starr’s often underrated drums, sharing how impressed the rest of the group were to hear a young Starr play the delicate cymbals and counters in Ray Charles’ “What I’d Say.” “He just lifted us up… he just brought the whole group together,” McCartney said. Starr’s militaristic trap work on “Get Back” is also credited with elevating the song.

The evolution of the classic Beatles song “Michelle”

A combination of Lennon’s art school parties, a friend’s wife and Edith Piaf’s “Milord” shaped the acoustic slapstick. “I would wear a black turtleneck and sit in a corner (at parties) and play guitar, thinking (girls) might be attracted to me,” McCartney said, demonstrating how he mumbled. French words with sweet sounds. agreements. Years later, Lennon reminded McCartney of the ditty. McCartney called on a friend’s wife, a French teacher, to help him find something that rhymes with “Michelle”. “She said ‘sweetheart’ and I said ‘what does that mean?’ and she said, ‘honey.’ … Between her and John reminding me to do the song, I had ‘Michelle.’ “



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